I've had this play for almost a week and I am almost finished with it. What are you doing, Andrew? Why's it taking you so long to read a goddamn play? I'm glad I asked myself this question, because I feel like I'm SO far behind. It usually takes me just five hours to read a play, including breaking for food. There is a reason it's taking me so long, and even I forget it sometimes.
When I read a play or a screenplay (or a book), I build the world in my head and watch it play out like a movie. That requires me to do more than just recognize that the word is there and it means something. I have to really understand the context and what that word means at this particular moment in the story. Sometimes, I have to recall previous events that already happened to get the full meaning of the word. That's why "The Cursed Child" took so long.
But why has this play taken me nearly a week and I'm still not finished with it? In addition to building the world and watching the story play out, I am analyzing every scene, beat, and word. I learned in college that writing the story down word for word is a great way to do this. Not only am I writing his play down (for personal use, copyright police) but I am also taking copious notes. These note are what I will use to approach staging and the general feel I am going for.
Another reason that I am very excited to present my take on this work is that one of the overarching themes is the theme of cancer. Being a cancer survivor who is not, and perhaps never will be, out of the woods, I have an incredibly unique perspective of having faced overwhelming odds as well as having been in the position of watching someone that I care about lose. I can empathize with both positions.
I'll update you again when I submit my pitch and again when I know if I will be traveling to Canada to direct a few scenes of this work.